Avengers: Infinity War Spoiler Discussion

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I’m going to break this discussion down by moving chronologically through the events of the film and addressing each noteworthy moment when I get to it.

I’d like to first point out that the film really is from Thanos’s perspective. He has the most development, depth, and screen time. The film begins immediately after the Thor: Ragnorak end credits scene, where a mysterious ship has assailed the Asgardian refugee vessel. By the way, if you haven’t seen any of the previous Marvel movies, odds are you’ll be pretty lost in Infinity War since it builds heavily off of the previous films. It depends on the audience knowing who these characters are since they don’t really get any introductions here. As I said, the film is Thanos’s story, so all of the other Avengers characters are really just supporting cast that are the instruments upon which our protagonist (Thanos in this case) must act upon. The first shot of the film is the wreckage of the assailed ship. The first character we see is actually Ebony Maw, one of Thanos’s servants. We first hear his voice, then watch as the camera pans up from his feet and to his full grotesque features. We then see the rest of Thanos’s Black Order. They serve as “hype-men” as they introduce the audience to Thanos who is finally revealed to us in a full body shot. Thanos’s first words aren’t, in fact, evil villain clichés, but rather statements of empathy and inevitably. He states that he understands “what it’s like to lose”. He talks about desperation, failure, the inability to escape from destiny. What’s effective here is that when Thanos compares himself to destiny, it establishes his viewpoint. He is not doing this out of a quest for power and dominance over the universe (so he thinks at this moment). He sees himself as an agent of the universe, sent to balance the scales and do the necessary evil that only he can do (or so he thinks). It’s a great way to introduce a powerful, unflinchingly rational villain with shades of empathy (or so we think…never mind).

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The battle in New York is pretty neat. We get reintroduced to Dr. Strange, Spider-Man, Iron-Man, etc. The banter between some of the characters that have never met, like Strange and Tony Stark is pretty good. Dr. Strange and Tony have a somewhat antagonistic relationship and its funny to see the verbal jousts of two characters that are so similar (both were arrogant rich guys who after a traumatic incident became superheroes with new perspectives and new priorities of protecting something). The opening action scenes are pretty entertaining. The Black Order, led by Ebony Maw confront our characters and try to take the Time Stone. The Black Order, though not developed in any way (though they don’t need to), serve their purpose as intimidating henchmen of Thanos. They look great and match their comic book counterparts especially well. Ebony Maw is a formidable second-in-command. His Lovecraftian features, slender frame, upright posture, and telekinetic powers conducted by the wave of his bony fingers all create a unique sense of might and terror that poses a serious threat to the superheroes. The New York set piece ends with Dr. Strange captured and Spider-Man and Iron Man stowing away on the Black Order ship to save Strange.

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We’re then reacquainted with the Guardians of the Galaxy as they run into a space-stranded Thor. The good thing about so many characters being integrated from so many different films is that the aesthetics of these films are somewhat translated here, as I’ve said in my spoiler-free review. Anyway, since the Guardians are characters played with more comedy within their respective films, this is where the comedy really starts to amp up. Some of the humor hits, like Drax calling Thor a “handsome, muscular man”, until it devolves into several fat jokes about Starlord aka actor Chris Pratt. Regardless, Thor wakes up and goes with Rocket and Groot to forge a new hammer while Drax, Mantis, and Gamora head to the Collector’s domain to stop Thanos from getting the Reality Stone. We then cut to the next storyline, which starts with Vision and Scarlett Witch hiding out in Scotland. It’s shown here that they’ve been in a romantic relationship for at least two years. We’ve never really seen this relationship develop in the rest of the busy Marvel movies, but we’re supposed to just go with it now. This wouldn’t be so much of an issue if later on in their film the emotional weight of their relationship is supposed to impact the audience but obviously can’t if we never saw the relationship develop. What we do feel the impact of is Captain America arriving to save them from the Black Order. It’s a great moment too, seeing a silhouette between the gaps of a speeding train, Alan Silvestri’s epic score kicking in as the familiar face of Steve Rodgers enters the light. It’s also good to know that Captain America has been secretly operating with a small group of Avengers for the past two years. Unfortunately, Cap doesn’t get too much screen time or character development in this movie. It is hard to fit in so many characters in such a big movie in such little time, but I could have used a few more Cap scenes to flesh out his convictions. Nonetheless, it’s great seeing my favorite Avenger and I look forward to seeing his development in the next movie. Also, we have two stellar Captain America movies that have already fleshed out his awesome character. His awesomeness only heightens when he refuses to give up Vision’s life for the Mind Stone, stating that “we don’t trade lives”. This statement ultimately becomes the film’s main message and counterargument to Thanos’s utilitarian perspective but we’ll get more into that later. What it does is further cement Captain America’s position as the ultimate moral center and voice of reason within the Marvel Universe.

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Meanwhile, the Guardians try and sneak up on Thanos as he visits the Collector. Gamora attempts to kill him but is tricked by the Reality Stone. Thanos kidnaps Gamora, and in a nice nod to the Infinity Gauntlet comic, uses the Reality Stone to dispatch Mantis and Drax in clever ways (Drax is diced into cubes, Mantis is turned into paper cutouts). While all of this is happening, Spider-Man and Iron Man are able to save Dr. Strange and kill Ebony Maw, which it’s sad to see him go so soon. They then head over to Thanos’s homeworld, Titan, to confront him. The only real character development that we get to see during this time is between Thanos and Gamora, and with Thor. Despite there never having been a time where Thanos and Gamora are on screen together, the time they share in this movie is well spent. We do get to see Thanos’s love for Gamora, his admiration of her fierce spirit, and his hope that she can maybe understand that what he is doing will save the Universe. On the opposite end, we also see Gamora’s conflicted feelings. She hates Thanos but still considers him family, and her breakdown into tears when she thought she had killed him earlier signifies that she too still harbors love for her adopted father. Thanos’s feelings of love, however, only extend to one daughter, as he tortures his other daughter, Nebula, so that Gamora can reveal the location of the Soul Stone.

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Thor gets development too, as this movie effectively builds upon the character revamping that he got in Thor: Ragnorak but focuses on the tragic aspect of his character rather than the comedic. In a brilliant scene with Rocket, Thor recounts to his “rabbit” friend all the loved ones he’s lost (mother, father, brother, best friend). It also shows that Thor tries to use humor to counter and mask his sorrows. We realize that Thor’s overly boisterous and heroic personality compensates for the tragedy he’s suffered in his long life. His grief-masking doesn’t work so well at this moment, however, and he tries to give Rocket a trembling smile while he fights back tears. It’s a sad moment, and it strengthens Thor’s motivations for going after Thanos. Chris Hemsworth is also fantastic as Thor, capturing his conviction and his rage. He owns the character. So, Thor, Rocket, and Groot travel to the dying star that forged Thor’s original hammer in order to forge a new hammer. One Game of Thrones cameo later (Peter Dinklage as Eitri), Stormbreaker is made.

The drama continues to hype up as Thanos and Gamora travel to Vormir, the planet where the Soul Stone is located. Upon arrival, they are greeted by the Stonekeeper who is in fact, surprise surprise…. Red Skull! It’s revealed that Red Skull survived the events of Captain America: The First Avenger and was transported to Vormir to guard the Soul Stone. In a shocking moment, Thanos must give a soul in order to have the soul stone. The moment when Thanos drags a screaming Gamora and throws her off a cliff really earns its drama. The music kicks up, symbols clash and an adagio of strings play over a wide-eyed Thanos. His expression appears to show disbelief at his own actions, yet because of his actions, he now has the Soul Stone.

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Cap and the rest of the Avengers head over to Wakanda to meet up with Black Panther and mount a defense against the Black Order. We see Cap reunite with Bucky, some of our favorite Black Panthers like Okoye and M’Baku, and Bruce Banner get outsmarted by Shuri. The battle of Wakanda begins and the Avengers fight off against an army of faceless, nameless alien beasts. My main gripe about this battle is the lack of build-up to it. It doesn’t feel like something from Lord of the Rings or Star Wars because it just kind of happens all of a sudden without fully establishing both sides. The Black Order kind of just shows up with an army of disposable creatures to fight the Avengers, it doesn’t feel as weighty as what is going on elsewhere. At the other end of the solar system, the rest of the Guardians excluding Groot and Rocket meet up with Iron Man’s group and come up with a plan to take out Thanos. Dr. Strange runs through millions of possibilities and determines that there is only one in which they can win. Thanos arrives and relays his strategy of dealing with overpopulation through random genocide. Again I’ll get more into that at the end. He engages Iron Man’s group and is surprisingly overpowered for a brief period of time, allowing Spider-Man and Iron Man to try and pry the Infinity Gauntlet off of him. This is where the controversial moment happens when Starlord, angered after discovering Gamora’s death, aggressively attacks Thanos in the middle of his incapacitation at the hands of Mantis, causing Thanos to regain control and keep the Gauntlet. I have to say, the entire time Starlord felt somewhat inconsistent with his character. He was either too humorous or too aggressive. I get it, he’s displayed these characteristics in the past, and his girlfriend was kidnapped and later killed. Nevertheless, I feel like it discredits him as a character since he definitely has been more level-headed than this. It definitely could have been better handled, and I feel like Starlord would have been able to bounce back from these events and respond to that situation much better than he did. I know technically this is the way things are supposed to happen because Dr. Strange predicted the timeline but does it really excuse Star Lord from being an overly confrontational douche? His actions lead to Thanos dispatching the rest of the team before only Iron Man is left to battle Thanos. The fight between them is another great moment and it ends with Tony at Thanos’s mercy. Thanos gives his respect to Stark but spares his life when Dr. Strange offers up the Time Stone.

On Wakanda, Caps forces are being overwhelmed by the generic alien monsters, so it’s a great time for Thor to show up with his epic new hammer. Again, the Avengers theme is awesome, and Thor arriving and absolutely obliterating the enemies to Silvestri’s score is my favorite moment in the movie. It also shows that Thor really is one of the most powerful characters in the MCU. It’s especially true since Hulk has been refusing to come out all this time in a neat character moment since it’s the first time we’ve seen Hulk afraid. The battle ends with the Avengers victorious, but unluckily for them, Thanos arrives with one stone left to obtain. In a slow-motion moment, we see Thanos easily overpower the other Avengers while Vision appeals to Scarlett Witch to destroy the stone. This moment didn’t hit as much for me since as I’ve said before, I didn’t really get to see the relationship between these two characters develop so I wasn’t as emotionally invested in Vision’s destruction at the hands of Scarlett Witch. It matters even less when Thanos rewinds time to reconstruct Vision and take the stone. With the Infinity Gauntlet complete, Thanos snaps his fingers and wipes out half the life in the Universe. Having read the Infinity Gauntlet story before seeing the movie, I was giddy with excitement when he snapped his fingers. We first see Bucky fade away in front of Cap. At this point, I was surprised, but once Black Panther faded away, I knew this wasn’t permanent. The other characters to fade include Falcon, Scarlett Witch, Starlord, Mantis, Drax, Spider-Man, Dr. Strange, and several Wakandan soldiers. Spider-Man’s farewell does pull at the heartstrings, and it is a shocking moment to see some fan-favorites fade away, but I was more intrigued than disheartened. I’m interested to see how these characters return, and what happens to Thanos in the sequel. I’m also looking forward to Tony’s decisions moving forward, as the deaths of everyone around him will surely leave him devastated. I did love the way the film ended, with Thanos looking over a beautiful landscape with a half-smile half-smirk on his face. We also get treated to an end credit scene of Nick Fury contacting Captain Marvel before fading away.

So I’ve said it multiple times and I’ll say it again, Avengers: Infinity War delivers. It feels like the Empire Strikes back of the MCU, and the MCU feels like the Star Wars of this generation, even more than the actual Star Wars of this generation. Whereas the Star Wars movies today are repeating the same stories over again, the Marvel universe is managing to keep me excited for new stories. The Marvel comics are rich in creativity and storytelling, and the heads at Marvel are masterfully drawing from and adapting the cavalcade of source materials. The Russo Brothers dedicated time to crafting Thanos’s motivations and ideology. From a grand scheme, universal utilitarian view of how the universe should work, there are elements of Thanos’s ideology that make sense. Overpopulation is a thing, and lots of people suffer from the tragedy of the commons. It’s an identifiable perspective for a villain, but like Killmonger, Thanos takes it too far and his willingness to stomp out life makes him more of a monster than a savior. The film doesn’t qualify Thanos’s perspective, there is a clear line. When Thanos completes his quest, he says to a vision of a young Gamora that the crusade cost him “everything”. Thanos’s tears for Gamora are an outlier to his emotional detachment from killing the rest of the Universe. He fails to understand the sanctity of life. The decisions that our heroes make, including Scarlett Witch and Starlord’s decisions to try and kill their respective partners at their requests, were made out of love. Thanos’s love for Gamora wasn’t enough to sway him from his beliefs of what he thinks is the right thing. However, as Captain America said, “we don’t trade lives”. No matter the suffering, what makes life special is that everything has the opportunity grow, to become something important, something vital. If we go along with Thanos’s plan and wiped out half the life in the Universe randomly, what if the next Albert Einstein, Gandhi, or Martin Luther King Jr. was killed? What if people who were or will make major contributions to existence are wiped out? The Avengers understand this idea of all life being sacred. It is possible that Thanos may too. Perhaps in the next movie, Thanos will ponder on his decision, and realize that the value of life is far too important. He may come to miss Gamora, understand that the cost of his vision of peace would be too dear, regret his decision, and try and turn back time. I’m just speculating at this point, but the fact that the film has provided me the opportunity to speculate is a triumph of its own.

There’s lots of setup for the next film, so I see this as a part one of a two-parter. I’m glad that Marvel left us in this moment of despair and anguish, because obviously, in these kinds of stories, good triumphs over evil, but being able to have that darkness, let us sit and dwell in it for a little bit, consider its implications, and think it might actually be there to stay, only then for the good guys to triumph is how these kinds of stories should be told. Much like Lord of the Rings, Avatar: The Last Airbender, or Halo, everything seems hopeless at a certain point. We wonder how possibly the overwhelming odds can tip in the good guys’ favor and when they do, we feel relief and satisfaction.

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In conclusion, I did in fact love this movie. It’s in my top five favorite Marvel movies and definitely one of the coolest superhero movies ever made. I don’t think it transcends the genre like The Dark Knight or Logan, but it does represent the best that the genre has to offer. It isn’t perfect. There are so many different arcs and no moments where all the characters come together. Characters like Black Panther, Black Widow, Falcon, and Captain America are underutilized. Still, the film is wildly entertaining, pushes the MCU in an even more promising direction, and finally gives the MCU the stakes it needs. I’m very excited for Avengers 4 and I can’t wait to see what the MCU does next.

 

 

Miniblog: The Cloverfield Paradox Spoiler Review

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Before I go into the review, I want to say that I didn’t see the ad for The Cloverfield Paradox during the Super Bowl.  I watched the trailer afterward on YouTube and only then saw the big marketing ploy: it was airing that very night on Netflix. The last Cloverfield movie, Ten Cloverfield Lane, was advertised maybe a month or a few weeks before its theatrical release. The Cloverfield movies have had unique marketing campaigns that draw attention to the strange concepts and seemingly different genres of each film. In this case, the marketing campaign succeeded again. I was totally surprised when I saw the release date and immediately wanted to watch it. It was Sunday night though and I had class in the morning, so I watched it Monday and…
The Cloverfield Paradox is an otherwise straightforward isolated space thriller with interesting elements of mystery and visual appeal, however, in regards to its story, characters, and the answers to questions it sets up, it simply falls flat.
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Let’s start with the fact that we don’t get any interaction or development for the majority of the crew members. The only identifying feature is that they come from different nations. Given the incredibly talented cast including Daniel Bruhl and David Oyelowo, it’s unfortunate that a film with such good performances provided such little detail to its characters. The only character with a backstory is the protagonist, Ava Hamilton, played by Gugu Mbatha-Raw. I know that in typical space thrillers the crew ends up dying anyway, but at least one moment of comradery between them establishes that what is happening to them is tragic. In Alien the crew is laughing and joking around right before the alien rips out of Kane’s chest. In this movie, the crew members are at each other’s throats in the very first interaction they have on-screen.

 

Once the story gets going and the crew fires a particle accelerator, it’s obvious when we see a flash from the earth that the will be transferred to a different dimension. This leads me to my second point about the film, it’s incredibly predictable. The fact that they were transported to an alternate Earth was predictable, the fact that the gyro compass was inside the Russian character was predictable, the fact that Elizabeth Debicki’s character (the one from the alternate Earth) had sinister intentions was predictable, and the fact the Cloverfield monster had ended up on their Earth as a result of the firing was predictable. Elements of the film come out of nowhere, the plot point of the main character’s children burning down in a fire because of her decisions is expositioned out towards the end of the film for dramatic effect. The entire sub plot with the main character’s husband where he finds a little girl is entirely pointless and boring. The sci-fi elements, once they get going, are interesting enough. There are exploding bodies full of worms, sentient hands, and gruesome mutilations. However, none of these incidents are ever explained, they are simply chalked up to “quantum entanglement”, the two worlds are messing with each other because they are close. That doesn’t explain how an arm can just gain sentience and start writing instructions, or someone could collapse and die then explode worms. Once the movie ends with the giant Cloverfield monster attacking the ship, there is no context to the situation. Is it the same Cloverfield monster from New York but grown up? Is this the same world as Ten Cloverfield Lane with the alien mothership? None of this is explained, and the ending just feels tacked on for thrills.

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As a film, it has narrative problems and its characters are thin. As a space thriller it has enjoyable moments and pretty good visual effects. It contains some sci-fi movie clichés like the dumb scientists, in this case the comic relief character is so enamored by an incident of magnetic interference that he stares at it and lets the metal material he was using behind him swallow him up. Elements of the film are very derivative of other sci-fi films like Alien, Life, and Event Horizon (although really all of these films derive from Alien).

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It is definitely the weakest of the Cloverfield movies but I enjoyed watching it. Maybe I’m just desperate for semi-decent science fiction films by major studios, a topic that will be explored in an upcoming blog.