The Punisher Season 2 Review

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People would probably consider a review of this kind of content to be a far cry from the content which I last reviewed, however, I like to consider myself omnivorous in taste. Also, there is more than meets the eye where it comes to this Marvel Netflix series. Frank Castle aka The Punisher, a Marvel Comics vigilante, first appeared in this Marvel Netflix Universe in the second season of Daredevil as a vengeful man looking to eradicate anyone involved in the death of his wife and children. After his success in Daredevil in large part due to the excellent writing of The Punisher episodes and the fantastic performance by Jon Bernthal, the character received his own Netflix show. Particularly known as a character that discriminately kills bad people with a wide arsenal of guns, the first season of The Punisher was surprisingly quiet and gradual in its storytelling. Rather than come off the bat with blazing action and over the top gore, the show took its time, building the story as a slow political thriller rather than an intense action series. More than that, the show was also unafraid to shy away from controversial content. It focused heavily on the treatment of veterans in our modern American society and the importance of overcoming traumatic experiences through support, and how neglecting to give that support means turning our backs on people. It also was able to have a real, rational discussion on gun laws and the different sides of the argument. In the end, it was still able to stay true to the character’s violent roots and deliver the rampage and fiery destruction that everyone wanted to see. To date, it is my favorite season of a Marvel show.

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Jon Bernthal as Frank Castle/The Punisher

The Punisher Season 2 continues the first season’s formula of having a reflective and steady build to the story. It starts with Frank lying low after brutally taking down his former friend Billy Russo, who betrayed Frank and was involved in the death of Frank’s family. An interesting start to the season occurs when Frank meets a woman named Beth, played by Alexa Davalos, and the two develop a relationship. It’s the first time that Frank can be seen as moving on from his vengeful motives, but unfortunately, trouble eventually rears its ugly head. This time, it comes in the form of a girl named Amy, who is on the run from a group of hired goons led by a chilling preacher-looking character named John Pilgrim. Meanwhile, Homeland Security agent, Dinah Madani, is still recovering from her manipulation at the hands of Billy Russo, when he escapes from a hospital. The season itself feels very bisected in that the first half involves Frank and Amy running from Pilgrim and the second half deals with Billy Russo more. However, both arcs in the season somehow don’t seem to intrude upon each other, and while they aren’t necessarily perfect at being complementary, they nevertheless seem to work well together. It’s inexplicable, but the narrative doesn’t feel like it’s all over the place even though it technically is all over the place. Part of it may have to do with the excellent acting and charisma by the leads. Amy, played by Giorgia Wigham, develops a strong rapport with Frank as the series progresses. I was initially skeptical about how well they would play off of each other, especially considering the character of Micro, played by Ebon Moss-Bachrach, had as good chemistry with Frank in the first season as you could find in any TV show. Another character that gets a bigger role in the second season is Curtis, one of Frank’s war buddies formerly in the Navy and now operating a PTSD counseling group. Though featured in the previous season, Curtis tags along with Frank this time around and through their actions and interactions, the dichotomy between the two characters is accentuated. Frank’s destructive, violent, uncompromising, kill-happy personality contrasts with Curtis’s generosity, willingness to see good in others, and belief in healing those that society has rejected. It’s clear that Curtis just wants to make it out alive and to help Frank move on from his vigilante ways.

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Giorgia Wigham plays the character of Amy Bendix
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Jason Moore as Curtis Hoyle

 

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Ben Barnes as Billy Russo/Jigsaw

Ben Barnes returns as Billy Russo, now with a somewhat scarred face after being brutally beaten by Frank. The character of Billy Russo aka Jigsaw is known in the comics for having a severely scarred and disfigured face. Fans of the comics might be disappointed, since the show decides to have a different take on the character, showing Russo as more psychologically scarred than he is physically. Again, despite all accounts suggesting that the decisions made by the showrunners shouldn’t work, it comes off as convincing and in line with the character that they had established in the first season. Josh Stewart delivers a cold and eerie performance as John Pilgrim. Pilgrim as a character walks a line that is closer to Frank’s, however, he is a conduit for more powerful forces that run abound in the background. Both the villains, Russo and Pilgrim, seem to be dark reflections of Frank Castle himself, and it causes Frank to reflect on his ways. However, this Frank, unlike in Season 1 and Daredevil, is done trying to find his identity. He is sure of who and what he is. Of course, what he is, is an unhinged and brutal killer who doesn’t give a second thought to taking a life yet he and everyone else around him knows that. The Punisher isn’t watered down or shown to secretly have a soft heart. It is clear that Frank is willing to cross the lines that others wouldn’t be willing to cross, and what separates him from his enemies in the end, is his compassion for innocent people and his ability to care about other people and put his life on the line for them. His biggest fight has been against a system that he believes is wrong, allowing powerful people to abuse their positions and create chaos that ripples across the city and negatively affects the innocent bystanders.

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Since this will most likely be the end of The Punisher Netflix series, I’d like to mention how unique the show was. It took a character that is a rampaging vigilante and added layers to his story and identity. It immersed viewers into a complex world where the lines are blurred and good people trying to do the right thing don’t always get the best results. It also continues to highlight the plight of veterans living in America, and the idea of being forgotten. The Punisher is bold in its stance. It acknowledges that there are parts of our infrastructure and society that are harsh and uncompromising; not simply in terms of crime and poverty, but more because of the people in power and the games that they play, power struggles for selfish gains with the lives of the powerless caught in the crossfire.

 

E3 2018: My thoughts on the future of gaming

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E3, the Electronic Entertainment Expo, just wrapped up its 2018 event. Each year, the biggest companies in the gaming industry show up to display their titles and feature their upcoming AAA games. The collection of games that we saw from Sony, Microsoft, EA, Ubisoft, Square Enix, Bethesda, and Nintendo were all quite impressive, and there’s a lot to talk about in regards to what these games represent for the future of the industry. I won’t be going over every single game from each conference since that would be too much to cover, so I’ll just be talking about each company’s major games and announcements in order of when each conference premiered.

 

Electronic Arts

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EA’s conference was pretty straightforward. They mainly just promoted their two major sports titles with Madden NFL 19 and FIFA 19, along with Battlefield V and their new IP, Anthem. As a massive football fan, I enjoy the Madden games, but mainly because I enjoy football and there are no other current football titles available. This is because EA has a monopoly on all NFL and NFLPA-licensed games. This means that if you want to play a football video game, you have nowhere else to go but Madden. FIFA is also pretty starved of competition outside of Pro Evolution Soccer. Essentially, EA really doesn’t have to change much in their sports games because sports fans will buy the games no matter what. It’s unfortunate since that means EA can include in-game microtransactions like Ultimate Team packs that fans will be coerced into buying. It’s one of the many reasons that I am not a fan of EA. Their latest title, Anthem, looks like it might be something new, but at the same time, it seems like it could be a forced Destiny rip-off. The visuals are impressive, the flying mechanics seem fun, and the world looks overall interesting. However, the shooting mechanics don’t look as impressive and there seems to be a lot of clichéd dialogue that might make this new game a hollow but fun experience. It doesn’t appear to be something revolutionary in gaming, both story-wise and gameplay-wise. I only saw a few minutes of Battlefield V gameplay but it looks pretty similar to Battlefield 1, the previous installment. I did enjoy Battlefield 1 so I anticipate that I’ll probably get the same experience from this sequel. Overall, EA had the most generic and safe presentation, with nothing new. On top of that, they spent a lot of time talking about Command and Conquer: Rivals, a mobile game that, trust me, nobody cared about except EA for its money-making potential. It’s clear that EA is not where gamers go to get rich, memorable experiences and interact in creatively-driven communities.

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Both Madden and FIFA are the dominant sports games on consoles. 

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Microsoft

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The Microsoft presentation was a big step-up from EA. As promised, this industry giant showcased 50 games, including “18 console launch exclusives and 15 world premieres”. The show started off by revealing the announcement trailer for the new Halo: Infinite, a sequel to Halo 5: Guardians and a supposed return to form for the franchise that has defined Xbox in the past. I’ll go more into why I love this trailer and why I love Halo in general at another time, but to sum it up…it was beautiful. The trailer was a showcase of the new Slipstream engine that 343 Industries is working on, and I’ll go into why that’s important later. The point is that Microsoft started their show with a bang and didn’t let up. We saw trailers for Sekiro: Shadows Die Twice (From the developers of Dark Souls), Fallout 76, Shadow of the Tomb Raider, Cyberpunk 2077, Just Cause 4, new Cuphead DLC, and even Devil May Cry 5. Though there were mostly a slew of trailers with little gameplay, and though most of the games weren’t exclusives, I still appreciate that Microsoft was able to show so much content for upcoming games. It felt like a true showcase of the many games that will be releasing in the future, and to that end, it did do its job in getting me excited. I was particularly interested in seeing footage for Sekiro: Shadows Die Twice, and Devil May Cry 5, both of which also featured gameplay footage and cutscenes using the in-game engines. As a massive fan of the Souls series, I can’t wait to see what kind of excellent combat and difficult bosses that Sekiro will deliver in its feudal Japanese setting; and as a massive fan of the Devil May Cry franchise before its polarizing reboot, I’m excited to see the franchise get back on track. Microsoft has been struggling as of late to catch up with Sony and its PS4, but I think it delivered enough in terms of game showcase and also the option of the Xbox Game Pass to at least keep Xbox somewhat in the console race.

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Microsoft showcased many world premieres for big titles like Devil May Cry 5 and Sekiro: Shadows Die Twice

Bethesda

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Bethesda was by far the best conference at E3, both in terms of games and presentation. It’s hard to believe that one publisher has had so many excellent games with consistently good quality. The conference had already started strong by showing gameplay for the intriguing Rage 2, followed by highlighting the new Elder Scrolls: Online expansion. Things got amped up to a whole new level when the company revealed sequels to its two most recent first-person shooter hits, Wolfenstein and Doom, with the new Doom: Eternal featuring a Hell-on-Earth demon invasion and with the new Wolfenstein: Youngblood focusing on the twin daughters of Wolfenstein protagonist William Blazkowicz in the 1980’s alternate history of the Fourth Reich. I want to mention that the majority of presenters at E3 are lead developers for the game, but unfortunately while their passion for the game is apparent, their presentation skills are not very strong. That’s where Todd Howard came in for Bethesda. As the director and executive producer of Bethesda, Howard was able to excite the crowd and properly present some of Bethesda’s most exciting titles, including Fallout 76. Another brilliant move by Bethesda came in the form of a fake commercial with Keagan Michael Key satirizing Skyrim and its multiple releases. To put the cherry on top, Howard presented two small teasers for Bethesda’s secretive new IP, Starfield, and the now confirmed The Elder Scrolls VI. Fallout 76 looks like it could be a fun multiplayer experience to play with friends, and I’m so looking forward to the heavy metal awesomeness that is Doom: Eternal. What Bethesda was able to do hat set it apart is a clear display of attention towards what the fans wanted, and a proper presentation of all of their titles. It was clear from what they presented that Bethesda has multiple quality gaming franchises that will hopefully continue to thrive under their wing.Image result for Doom Eternal

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Bethesda showed a wealth of new games, cementing their position as one of the best developers in the industry. 

Ubisoft and Square Enix

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I’ll be honest, I didn’t see either of these conferences and from what I heard they didn’t compare to the other big conferences. Square Enix has some good games coming out with Just Cause 4, Shadow of the Tomb Raider, and Kingdom Hearts III. It’s also nice that they are importing their critically acclaimed game Neir: Automata to the Xbox One. Captain Spirit also seems like a really unique and imaginative game that could connect with the inner child of may gamers. That being said, there wasn’t too much shown in terms of gameplay, which I would have liked to have seen more of, especially with Just Cause 4. As for Ubisoft, Assassins Creed: Odyssey and Beyond Good and Evil 2 were the only games that caught my attention, and even then I’m not as excited about them as I am for other games. Tom Clancy’s The Division 2 was showcased but the first Division game was such a letdown and I didn’t see enough exciting here to swing my opinion.  Overall, these two conferences were somewhat filler for the bigger conferences and not enough was shown in my opinion to warrant any worthy discussion.

 

Sony

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As a brand new owner of a PlayStation console for the first time ever, I was greatly anticipating what Sony would do. Microsoft had already set the bar high so I assumed Sony would have something big in store. What I got was somewhat disappointing. The presentation started with a musical performance that went on way too long. Don’t get me wrong, as a musician, I am always up for giving my undivided attention to a musical performance, and I very much appreciated the skill and beauty of the performances. I just don’t think it was the right move for Sony to start off their show and have so many fans eager for content forced to view a ten-minute instrumental performance. This happened twice, once before showcasing The Last of Us Part II, and once before Ghosts of Tsushima. Luckily, the games themselves showed solid gameplay and, again, all game engine cutscenes. This includes the two aforementioned games as well as the new Spider-Man game and the weird but interesting Death Stranding. I’m mentioning this because only a couple years back, games preferred to have cinematic cutscenes with graphics separate from the actual in-game visuals. Now it seems that more and more games are abandoning this all together and choosing to represent their visuals entirely through the game’s engine, meaning the gameplay and cutscenes are indistinguishable. I don’t think we are there yet, but as technology continues to improve, we may see games that look so realistic in their in-game engine that they are hard to tell apart from reality. Like I said we aren’t there yet, but it may be coming sooner than we think. Despite a rocky presentation and little games, what was shown was excellent, with quality gameplay and impressive graphics from the four main titles of The Last of Us Part II, Ghosts of Tsushima, Death Stranding, and Spider-Man

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Sony’s game showcase was surprisingly sparse but focus on four core exclusives, The Last of Us Part II, Death Stranding, Ghosts of Tsushima, and Spider-Man kept gamers’ interests up.

 

Nintendo

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The big highlight here, though Nintendo did show other games, was Super Smash Bros Ultimate, a sequel to the other Smash games but with the promise to feature every single playable character that has ever made an appearance in any of the previous Smash games. It’s an exciting prospect and overall I’d say that Nintendo has improved their situation with the good sales of the Switch and quality games like The Legend of Zelda: Breath of the Wild and soon this.

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Super Smash Bros. Ultimate looks to deliver the most exciting brawling experience featuring all Nintendo characters to have previously been in Smash games

Overall Thoughts

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This year’s E3 was pretty exciting, and though I didn’t get to see everything I thought I would (new Mortal Kombat, new Superman game, etc.), there were still plenty of exciting games to look forward to. Bethesda came away on top with Microsoft and Sony following closely behind. Some of what I saw from the in-game graphics of these games was simply incredible. Death Stranding, Halo: Infinite, and Ghosts of Tsushima all featured breath-taking in-game visuals and inspiring music that were actually more appealing than what I’ve seen in the world of cinema. I games continue to focus on art, storytelling, and community engagement, they will replace cinema as the perfect amalgamation of other artistic mediums.

Avengers: Infinity War Spoiler Discussion

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I’m going to break this discussion down by moving chronologically through the events of the film and addressing each noteworthy moment when I get to it.

I’d like to first point out that the film really is from Thanos’s perspective. He has the most development, depth, and screen time. The film begins immediately after the Thor: Ragnorak end credits scene, where a mysterious ship has assailed the Asgardian refugee vessel. By the way, if you haven’t seen any of the previous Marvel movies, odds are you’ll be pretty lost in Infinity War since it builds heavily off of the previous films. It depends on the audience knowing who these characters are since they don’t really get any introductions here. As I said, the film is Thanos’s story, so all of the other Avengers characters are really just supporting cast that are the instruments upon which our protagonist (Thanos in this case) must act upon. The first shot of the film is the wreckage of the assailed ship. The first character we see is actually Ebony Maw, one of Thanos’s servants. We first hear his voice, then watch as the camera pans up from his feet and to his full grotesque features. We then see the rest of Thanos’s Black Order. They serve as “hype-men” as they introduce the audience to Thanos who is finally revealed to us in a full body shot. Thanos’s first words aren’t, in fact, evil villain clichés, but rather statements of empathy and inevitably. He states that he understands “what it’s like to lose”. He talks about desperation, failure, the inability to escape from destiny. What’s effective here is that when Thanos compares himself to destiny, it establishes his viewpoint. He is not doing this out of a quest for power and dominance over the universe (so he thinks at this moment). He sees himself as an agent of the universe, sent to balance the scales and do the necessary evil that only he can do (or so he thinks). It’s a great way to introduce a powerful, unflinchingly rational villain with shades of empathy (or so we think…never mind).

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The battle in New York is pretty neat. We get reintroduced to Dr. Strange, Spider-Man, Iron-Man, etc. The banter between some of the characters that have never met, like Strange and Tony Stark is pretty good. Dr. Strange and Tony have a somewhat antagonistic relationship and its funny to see the verbal jousts of two characters that are so similar (both were arrogant rich guys who after a traumatic incident became superheroes with new perspectives and new priorities of protecting something). The opening action scenes are pretty entertaining. The Black Order, led by Ebony Maw confront our characters and try to take the Time Stone. The Black Order, though not developed in any way (though they don’t need to), serve their purpose as intimidating henchmen of Thanos. They look great and match their comic book counterparts especially well. Ebony Maw is a formidable second-in-command. His Lovecraftian features, slender frame, upright posture, and telekinetic powers conducted by the wave of his bony fingers all create a unique sense of might and terror that poses a serious threat to the superheroes. The New York set piece ends with Dr. Strange captured and Spider-Man and Iron Man stowing away on the Black Order ship to save Strange.

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We’re then reacquainted with the Guardians of the Galaxy as they run into a space-stranded Thor. The good thing about so many characters being integrated from so many different films is that the aesthetics of these films are somewhat translated here, as I’ve said in my spoiler-free review. Anyway, since the Guardians are characters played with more comedy within their respective films, this is where the comedy really starts to amp up. Some of the humor hits, like Drax calling Thor a “handsome, muscular man”, until it devolves into several fat jokes about Starlord aka actor Chris Pratt. Regardless, Thor wakes up and goes with Rocket and Groot to forge a new hammer while Drax, Mantis, and Gamora head to the Collector’s domain to stop Thanos from getting the Reality Stone. We then cut to the next storyline, which starts with Vision and Scarlett Witch hiding out in Scotland. It’s shown here that they’ve been in a romantic relationship for at least two years. We’ve never really seen this relationship develop in the rest of the busy Marvel movies, but we’re supposed to just go with it now. This wouldn’t be so much of an issue if later on in their film the emotional weight of their relationship is supposed to impact the audience but obviously can’t if we never saw the relationship develop. What we do feel the impact of is Captain America arriving to save them from the Black Order. It’s a great moment too, seeing a silhouette between the gaps of a speeding train, Alan Silvestri’s epic score kicking in as the familiar face of Steve Rodgers enters the light. It’s also good to know that Captain America has been secretly operating with a small group of Avengers for the past two years. Unfortunately, Cap doesn’t get too much screen time or character development in this movie. It is hard to fit in so many characters in such a big movie in such little time, but I could have used a few more Cap scenes to flesh out his convictions. Nonetheless, it’s great seeing my favorite Avenger and I look forward to seeing his development in the next movie. Also, we have two stellar Captain America movies that have already fleshed out his awesome character. His awesomeness only heightens when he refuses to give up Vision’s life for the Mind Stone, stating that “we don’t trade lives”. This statement ultimately becomes the film’s main message and counterargument to Thanos’s utilitarian perspective but we’ll get more into that later. What it does is further cement Captain America’s position as the ultimate moral center and voice of reason within the Marvel Universe.

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Meanwhile, the Guardians try and sneak up on Thanos as he visits the Collector. Gamora attempts to kill him but is tricked by the Reality Stone. Thanos kidnaps Gamora, and in a nice nod to the Infinity Gauntlet comic, uses the Reality Stone to dispatch Mantis and Drax in clever ways (Drax is diced into cubes, Mantis is turned into paper cutouts). While all of this is happening, Spider-Man and Iron Man are able to save Dr. Strange and kill Ebony Maw, which it’s sad to see him go so soon. They then head over to Thanos’s homeworld, Titan, to confront him. The only real character development that we get to see during this time is between Thanos and Gamora, and with Thor. Despite there never having been a time where Thanos and Gamora are on screen together, the time they share in this movie is well spent. We do get to see Thanos’s love for Gamora, his admiration of her fierce spirit, and his hope that she can maybe understand that what he is doing will save the Universe. On the opposite end, we also see Gamora’s conflicted feelings. She hates Thanos but still considers him family, and her breakdown into tears when she thought she had killed him earlier signifies that she too still harbors love for her adopted father. Thanos’s feelings of love, however, only extend to one daughter, as he tortures his other daughter, Nebula, so that Gamora can reveal the location of the Soul Stone.

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Thor gets development too, as this movie effectively builds upon the character revamping that he got in Thor: Ragnorak but focuses on the tragic aspect of his character rather than the comedic. In a brilliant scene with Rocket, Thor recounts to his “rabbit” friend all the loved ones he’s lost (mother, father, brother, best friend). It also shows that Thor tries to use humor to counter and mask his sorrows. We realize that Thor’s overly boisterous and heroic personality compensates for the tragedy he’s suffered in his long life. His grief-masking doesn’t work so well at this moment, however, and he tries to give Rocket a trembling smile while he fights back tears. It’s a sad moment, and it strengthens Thor’s motivations for going after Thanos. Chris Hemsworth is also fantastic as Thor, capturing his conviction and his rage. He owns the character. So, Thor, Rocket, and Groot travel to the dying star that forged Thor’s original hammer in order to forge a new hammer. One Game of Thrones cameo later (Peter Dinklage as Eitri), Stormbreaker is made.

The drama continues to hype up as Thanos and Gamora travel to Vormir, the planet where the Soul Stone is located. Upon arrival, they are greeted by the Stonekeeper who is in fact, surprise surprise…. Red Skull! It’s revealed that Red Skull survived the events of Captain America: The First Avenger and was transported to Vormir to guard the Soul Stone. In a shocking moment, Thanos must give a soul in order to have the soul stone. The moment when Thanos drags a screaming Gamora and throws her off a cliff really earns its drama. The music kicks up, symbols clash and an adagio of strings play over a wide-eyed Thanos. His expression appears to show disbelief at his own actions, yet because of his actions, he now has the Soul Stone.

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Cap and the rest of the Avengers head over to Wakanda to meet up with Black Panther and mount a defense against the Black Order. We see Cap reunite with Bucky, some of our favorite Black Panthers like Okoye and M’Baku, and Bruce Banner get outsmarted by Shuri. The battle of Wakanda begins and the Avengers fight off against an army of faceless, nameless alien beasts. My main gripe about this battle is the lack of build-up to it. It doesn’t feel like something from Lord of the Rings or Star Wars because it just kind of happens all of a sudden without fully establishing both sides. The Black Order kind of just shows up with an army of disposable creatures to fight the Avengers, it doesn’t feel as weighty as what is going on elsewhere. At the other end of the solar system, the rest of the Guardians excluding Groot and Rocket meet up with Iron Man’s group and come up with a plan to take out Thanos. Dr. Strange runs through millions of possibilities and determines that there is only one in which they can win. Thanos arrives and relays his strategy of dealing with overpopulation through random genocide. Again I’ll get more into that at the end. He engages Iron Man’s group and is surprisingly overpowered for a brief period of time, allowing Spider-Man and Iron Man to try and pry the Infinity Gauntlet off of him. This is where the controversial moment happens when Starlord, angered after discovering Gamora’s death, aggressively attacks Thanos in the middle of his incapacitation at the hands of Mantis, causing Thanos to regain control and keep the Gauntlet. I have to say, the entire time Starlord felt somewhat inconsistent with his character. He was either too humorous or too aggressive. I get it, he’s displayed these characteristics in the past, and his girlfriend was kidnapped and later killed. Nevertheless, I feel like it discredits him as a character since he definitely has been more level-headed than this. It definitely could have been better handled, and I feel like Starlord would have been able to bounce back from these events and respond to that situation much better than he did. I know technically this is the way things are supposed to happen because Dr. Strange predicted the timeline but does it really excuse Star Lord from being an overly confrontational douche? His actions lead to Thanos dispatching the rest of the team before only Iron Man is left to battle Thanos. The fight between them is another great moment and it ends with Tony at Thanos’s mercy. Thanos gives his respect to Stark but spares his life when Dr. Strange offers up the Time Stone.

On Wakanda, Caps forces are being overwhelmed by the generic alien monsters, so it’s a great time for Thor to show up with his epic new hammer. Again, the Avengers theme is awesome, and Thor arriving and absolutely obliterating the enemies to Silvestri’s score is my favorite moment in the movie. It also shows that Thor really is one of the most powerful characters in the MCU. It’s especially true since Hulk has been refusing to come out all this time in a neat character moment since it’s the first time we’ve seen Hulk afraid. The battle ends with the Avengers victorious, but unluckily for them, Thanos arrives with one stone left to obtain. In a slow-motion moment, we see Thanos easily overpower the other Avengers while Vision appeals to Scarlett Witch to destroy the stone. This moment didn’t hit as much for me since as I’ve said before, I didn’t really get to see the relationship between these two characters develop so I wasn’t as emotionally invested in Vision’s destruction at the hands of Scarlett Witch. It matters even less when Thanos rewinds time to reconstruct Vision and take the stone. With the Infinity Gauntlet complete, Thanos snaps his fingers and wipes out half the life in the Universe. Having read the Infinity Gauntlet story before seeing the movie, I was giddy with excitement when he snapped his fingers. We first see Bucky fade away in front of Cap. At this point, I was surprised, but once Black Panther faded away, I knew this wasn’t permanent. The other characters to fade include Falcon, Scarlett Witch, Starlord, Mantis, Drax, Spider-Man, Dr. Strange, and several Wakandan soldiers. Spider-Man’s farewell does pull at the heartstrings, and it is a shocking moment to see some fan-favorites fade away, but I was more intrigued than disheartened. I’m interested to see how these characters return, and what happens to Thanos in the sequel. I’m also looking forward to Tony’s decisions moving forward, as the deaths of everyone around him will surely leave him devastated. I did love the way the film ended, with Thanos looking over a beautiful landscape with a half-smile half-smirk on his face. We also get treated to an end credit scene of Nick Fury contacting Captain Marvel before fading away.

So I’ve said it multiple times and I’ll say it again, Avengers: Infinity War delivers. It feels like the Empire Strikes back of the MCU, and the MCU feels like the Star Wars of this generation, even more than the actual Star Wars of this generation. Whereas the Star Wars movies today are repeating the same stories over again, the Marvel universe is managing to keep me excited for new stories. The Marvel comics are rich in creativity and storytelling, and the heads at Marvel are masterfully drawing from and adapting the cavalcade of source materials. The Russo Brothers dedicated time to crafting Thanos’s motivations and ideology. From a grand scheme, universal utilitarian view of how the universe should work, there are elements of Thanos’s ideology that make sense. Overpopulation is a thing, and lots of people suffer from the tragedy of the commons. It’s an identifiable perspective for a villain, but like Killmonger, Thanos takes it too far and his willingness to stomp out life makes him more of a monster than a savior. The film doesn’t qualify Thanos’s perspective, there is a clear line. When Thanos completes his quest, he says to a vision of a young Gamora that the crusade cost him “everything”. Thanos’s tears for Gamora are an outlier to his emotional detachment from killing the rest of the Universe. He fails to understand the sanctity of life. The decisions that our heroes make, including Scarlett Witch and Starlord’s decisions to try and kill their respective partners at their requests, were made out of love. Thanos’s love for Gamora wasn’t enough to sway him from his beliefs of what he thinks is the right thing. However, as Captain America said, “we don’t trade lives”. No matter the suffering, what makes life special is that everything has the opportunity grow, to become something important, something vital. If we go along with Thanos’s plan and wiped out half the life in the Universe randomly, what if the next Albert Einstein, Gandhi, or Martin Luther King Jr. was killed? What if people who were or will make major contributions to existence are wiped out? The Avengers understand this idea of all life being sacred. It is possible that Thanos may too. Perhaps in the next movie, Thanos will ponder on his decision, and realize that the value of life is far too important. He may come to miss Gamora, understand that the cost of his vision of peace would be too dear, regret his decision, and try and turn back time. I’m just speculating at this point, but the fact that the film has provided me the opportunity to speculate is a triumph of its own.

There’s lots of setup for the next film, so I see this as a part one of a two-parter. I’m glad that Marvel left us in this moment of despair and anguish, because obviously, in these kinds of stories, good triumphs over evil, but being able to have that darkness, let us sit and dwell in it for a little bit, consider its implications, and think it might actually be there to stay, only then for the good guys to triumph is how these kinds of stories should be told. Much like Lord of the Rings, Avatar: The Last Airbender, or Halo, everything seems hopeless at a certain point. We wonder how possibly the overwhelming odds can tip in the good guys’ favor and when they do, we feel relief and satisfaction.

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In conclusion, I did in fact love this movie. It’s in my top five favorite Marvel movies and definitely one of the coolest superhero movies ever made. I don’t think it transcends the genre like The Dark Knight or Logan, but it does represent the best that the genre has to offer. It isn’t perfect. There are so many different arcs and no moments where all the characters come together. Characters like Black Panther, Black Widow, Falcon, and Captain America are underutilized. Still, the film is wildly entertaining, pushes the MCU in an even more promising direction, and finally gives the MCU the stakes it needs. I’m very excited for Avengers 4 and I can’t wait to see what the MCU does next.