Deadpool 2 Review

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When the first Deadpool came out in February of 2016, it came out of nowhere and took the world by storm. Boasting a $132 million opening weekend, Deadpool officially became the highest grossing R-rated film globally of all time. It was also a massive hit with the critics and fans, with heaps of praise piled upon Ryan Reynold’s portrayal of the titular character, and the scripts boldness in pushing the envelope with its humor and content. I had been a fan of Deadpool long before news of his feature debut. I loved his meta humor and morbid yet funny defilements in the comics, and I, like many others, was extremely disappointed in how Deadpool was depicted in X-Men Origins: Wolverine. By 2014, I had long given up on the idea of a Deadpool movie, and I didn’t even think it would be possible to replicate such a character on the silver screen. Luckily, after some leaked test footage, Deadpool was greenlit and the best marketing campaign of any film in history convinced me that it would be awesome, and it was. The original Deadpool is one of my favorite comic book movies of all time, so naturally, I’ve been anticipating the sequel along with the rest of the millions of people that saw and loved the first movie.

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I can say without a doubt that Deadpool 2 is the most entertaining film that I have seen in theaters all year. This movie had me hooked from beginning to end with its lightning fast jokes, dizzying action, and surprisingly dark and emotional moments. While the first Deadpool did feature lots of violence and humor inappropriate for many, it was a surprisingly light-hearted film. The sequel has some heavier themes, dealing with abuse, death, and family. In every way, it feels much bigger in scale than the first, with a plethora of new characters and additions to the Deadpool universe. Ryan Reynolds once again steals the show, effectively cementing himself as an actor that will have a hard time being separated from the character he plays. Alongside Deadpool are some fan favorite returning characters including Colossus, Dopindar, and Blind Al. Even T.J Miller, who despite having faced some recent controversy, was funny (he did have most of the same jokes as he did in the first movie, but just like Drax doing the same thing over again in Infinity War, it was still funny to me somehow). Some notable new additions include Domino, played by Zazie Beats, and Cable, played by Josh Brolin. There was a lot of anticipation for Cable since he and Deadpool had a very established relationship in the comics. Unfortunately, the relationship between Cable and Deadpool isn’t explored as much in this movie, and Cable isn’t in the movie enough to make a massive Thanos-level impact or to stand out particularly amongst the other side characters. The point is, this is still entirely Deadpool and Ryan Reynold’s show. To that end, the movie is filled with more pop culture references, meta humor, and celebrity cameos than ever before. Everything feels consistent with Deadpool’s character, he feels more alive and relevant than ever before. As I said, Director David Leitch, who was one half of the directing pair responsible for John Wick, did a fantastic job with the action scenes in the movie. The action is bigger and better than the original. This combination of humor and thrills creates a complete package of an excellent action comedy that deserves to be seen.

Though not without some weird moments and the occasionally overdone joke, I couldn’t find much wrong with Deadpool 2. It was exactly the movie that I was hoping for, and I left with a smile on my face. This film is even more unafraid to take the humor and violence of the Deadpool character to greater lengths. Though I would say the story is slightly convoluted compared to the simplistic and easily understood love story/revenge plot of the first film, the charisma of the characters and the combination of humor and action will most definitely keep viewers engaged throughout. Along with one of the best end credit scenes in any movie, Deadpool 2 is a major success. It’s a dark and twisted, yet hilarious and thrilling romp that continues the tradition of an unkillable anti-hero in a red suit continuously satirizing the comic book and comic book movie genres as well as society in general. Whereas the Deadpool of the comics pokes fun mostly at the Marvel comic book universe, this version of Deadpool is able to draw upon and target the collection of comic book movies and the cinematic universes of DC and Marvel that have amassed over the past 10 years or so.

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So getting into spoiler territory, the first big surprise of the film comes before the opening credits with the death of Vanessa, Deadpool’s wife/girlfriend/it’s never revealed or not if they married. The opening credits capitalize on the moment with title cards like “Did They Really Just Kill Her?”, “Presented by What the Fuck?”, and “In Association With I Don’t Understand?”. The opening credits are all set to an original song by Céline Dion just for this movie called “Ashes” and all done in a James Bond style of opening sequence. Regardless, this opening surprise death forces Deadpool into a depressed state of longing for his own death. It’s surprisingly fatalistic coming from such a boisterous character, and the emotional tones conveyed during the dream sequences with Deadpool seeing visions of Vanessa are surprisingly heartfelt and bereft of jokes that would undercut said emotional tones. The changes that they made to Cable’s backstory were also appropriate for the film, as his motivation for going back in time and killing the mutant that would kill Cable’s family gives him a solid motivation. The mutant kid, Russel AKA Firefist, played by Julian Dennison, is a serviceable character, though I didn’t think there was anything extraordinary involved in either his portrayal or his character arc. Julian Dennison does give a good performance, and there was always the possibility of the movie going down the common path of the child actor/character being annoying. Luckily this wasn’t the case, although Firefist as a character could have been more compelling. The surprise villain of Juggernaut was a fun reveal also, and the moment he rips Deadpool in half is one that can’t be missed, however, he was primarily used for a third act CGI fight with Colossus. There wasn’t really a single villain to follow, which wasn’t as effective as the first film in terms of antagonistic quality. I for one was a big fan of Ed Skrien as Ajax in the first movie.

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The other big twist is that the X-Force team that was teased in the trailers was just a big lead up to a joke where all of them except Domino end up dead. For fans looking forward to seeing characters like Terry Cruises’ Bedlam or Bill Skarsgard’s Zeitgeist, it may be disappointing since Bedlam is hit by a bus and Zeitgeist lands into a wood chipper when the H.A.L.O jump sends the team all over the place due to high winds. Even Rob Delaney’s Peter, who was hilariously advertised in the trailers as an average joe looking to excite his life, gets dissolved by acid vomit. Though I was looking forward to seeing members of this team, I was pleasantly surprised and just as thrilled to see the end result of the team being the spontaneous deaths of each member.

There are several fourth-wall breaking moments that stand out, like the movie opening with a wind-up doll of a dead Wolverine from the events of the movie Logan. There is the scene where Deadpool autographs a Wolverine cereal box with Ryan Reynold’s signature. Some external non-comic book references that had me laughing were “Jared Kushner” and “Mission accomplished? Well, in a George W. kind of way”. The end credit scene is particularly funny, as Deadpool borrows Cable’s time traveling device to kill the Deadpool from X-Men Origins: Wolverine and to kill Ryan Reynolds as he is reading the script for the 2011 Green Lantern.

Avengers: Infinity War Spoiler Discussion

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I’m going to break this discussion down by moving chronologically through the events of the film and addressing each noteworthy moment when I get to it.

I’d like to first point out that the film really is from Thanos’s perspective. He has the most development, depth, and screen time. The film begins immediately after the Thor: Ragnorak end credits scene, where a mysterious ship has assailed the Asgardian refugee vessel. By the way, if you haven’t seen any of the previous Marvel movies, odds are you’ll be pretty lost in Infinity War since it builds heavily off of the previous films. It depends on the audience knowing who these characters are since they don’t really get any introductions here. As I said, the film is Thanos’s story, so all of the other Avengers characters are really just supporting cast that are the instruments upon which our protagonist (Thanos in this case) must act upon. The first shot of the film is the wreckage of the assailed ship. The first character we see is actually Ebony Maw, one of Thanos’s servants. We first hear his voice, then watch as the camera pans up from his feet and to his full grotesque features. We then see the rest of Thanos’s Black Order. They serve as “hype-men” as they introduce the audience to Thanos who is finally revealed to us in a full body shot. Thanos’s first words aren’t, in fact, evil villain clichés, but rather statements of empathy and inevitably. He states that he understands “what it’s like to lose”. He talks about desperation, failure, the inability to escape from destiny. What’s effective here is that when Thanos compares himself to destiny, it establishes his viewpoint. He is not doing this out of a quest for power and dominance over the universe (so he thinks at this moment). He sees himself as an agent of the universe, sent to balance the scales and do the necessary evil that only he can do (or so he thinks). It’s a great way to introduce a powerful, unflinchingly rational villain with shades of empathy (or so we think…never mind).

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The battle in New York is pretty neat. We get reintroduced to Dr. Strange, Spider-Man, Iron-Man, etc. The banter between some of the characters that have never met, like Strange and Tony Stark is pretty good. Dr. Strange and Tony have a somewhat antagonistic relationship and its funny to see the verbal jousts of two characters that are so similar (both were arrogant rich guys who after a traumatic incident became superheroes with new perspectives and new priorities of protecting something). The opening action scenes are pretty entertaining. The Black Order, led by Ebony Maw confront our characters and try to take the Time Stone. The Black Order, though not developed in any way (though they don’t need to), serve their purpose as intimidating henchmen of Thanos. They look great and match their comic book counterparts especially well. Ebony Maw is a formidable second-in-command. His Lovecraftian features, slender frame, upright posture, and telekinetic powers conducted by the wave of his bony fingers all create a unique sense of might and terror that poses a serious threat to the superheroes. The New York set piece ends with Dr. Strange captured and Spider-Man and Iron Man stowing away on the Black Order ship to save Strange.

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We’re then reacquainted with the Guardians of the Galaxy as they run into a space-stranded Thor. The good thing about so many characters being integrated from so many different films is that the aesthetics of these films are somewhat translated here, as I’ve said in my spoiler-free review. Anyway, since the Guardians are characters played with more comedy within their respective films, this is where the comedy really starts to amp up. Some of the humor hits, like Drax calling Thor a “handsome, muscular man”, until it devolves into several fat jokes about Starlord aka actor Chris Pratt. Regardless, Thor wakes up and goes with Rocket and Groot to forge a new hammer while Drax, Mantis, and Gamora head to the Collector’s domain to stop Thanos from getting the Reality Stone. We then cut to the next storyline, which starts with Vision and Scarlett Witch hiding out in Scotland. It’s shown here that they’ve been in a romantic relationship for at least two years. We’ve never really seen this relationship develop in the rest of the busy Marvel movies, but we’re supposed to just go with it now. This wouldn’t be so much of an issue if later on in their film the emotional weight of their relationship is supposed to impact the audience but obviously can’t if we never saw the relationship develop. What we do feel the impact of is Captain America arriving to save them from the Black Order. It’s a great moment too, seeing a silhouette between the gaps of a speeding train, Alan Silvestri’s epic score kicking in as the familiar face of Steve Rodgers enters the light. It’s also good to know that Captain America has been secretly operating with a small group of Avengers for the past two years. Unfortunately, Cap doesn’t get too much screen time or character development in this movie. It is hard to fit in so many characters in such a big movie in such little time, but I could have used a few more Cap scenes to flesh out his convictions. Nonetheless, it’s great seeing my favorite Avenger and I look forward to seeing his development in the next movie. Also, we have two stellar Captain America movies that have already fleshed out his awesome character. His awesomeness only heightens when he refuses to give up Vision’s life for the Mind Stone, stating that “we don’t trade lives”. This statement ultimately becomes the film’s main message and counterargument to Thanos’s utilitarian perspective but we’ll get more into that later. What it does is further cement Captain America’s position as the ultimate moral center and voice of reason within the Marvel Universe.

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Meanwhile, the Guardians try and sneak up on Thanos as he visits the Collector. Gamora attempts to kill him but is tricked by the Reality Stone. Thanos kidnaps Gamora, and in a nice nod to the Infinity Gauntlet comic, uses the Reality Stone to dispatch Mantis and Drax in clever ways (Drax is diced into cubes, Mantis is turned into paper cutouts). While all of this is happening, Spider-Man and Iron Man are able to save Dr. Strange and kill Ebony Maw, which it’s sad to see him go so soon. They then head over to Thanos’s homeworld, Titan, to confront him. The only real character development that we get to see during this time is between Thanos and Gamora, and with Thor. Despite there never having been a time where Thanos and Gamora are on screen together, the time they share in this movie is well spent. We do get to see Thanos’s love for Gamora, his admiration of her fierce spirit, and his hope that she can maybe understand that what he is doing will save the Universe. On the opposite end, we also see Gamora’s conflicted feelings. She hates Thanos but still considers him family, and her breakdown into tears when she thought she had killed him earlier signifies that she too still harbors love for her adopted father. Thanos’s feelings of love, however, only extend to one daughter, as he tortures his other daughter, Nebula, so that Gamora can reveal the location of the Soul Stone.

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Thor gets development too, as this movie effectively builds upon the character revamping that he got in Thor: Ragnorak but focuses on the tragic aspect of his character rather than the comedic. In a brilliant scene with Rocket, Thor recounts to his “rabbit” friend all the loved ones he’s lost (mother, father, brother, best friend). It also shows that Thor tries to use humor to counter and mask his sorrows. We realize that Thor’s overly boisterous and heroic personality compensates for the tragedy he’s suffered in his long life. His grief-masking doesn’t work so well at this moment, however, and he tries to give Rocket a trembling smile while he fights back tears. It’s a sad moment, and it strengthens Thor’s motivations for going after Thanos. Chris Hemsworth is also fantastic as Thor, capturing his conviction and his rage. He owns the character. So, Thor, Rocket, and Groot travel to the dying star that forged Thor’s original hammer in order to forge a new hammer. One Game of Thrones cameo later (Peter Dinklage as Eitri), Stormbreaker is made.

The drama continues to hype up as Thanos and Gamora travel to Vormir, the planet where the Soul Stone is located. Upon arrival, they are greeted by the Stonekeeper who is in fact, surprise surprise…. Red Skull! It’s revealed that Red Skull survived the events of Captain America: The First Avenger and was transported to Vormir to guard the Soul Stone. In a shocking moment, Thanos must give a soul in order to have the soul stone. The moment when Thanos drags a screaming Gamora and throws her off a cliff really earns its drama. The music kicks up, symbols clash and an adagio of strings play over a wide-eyed Thanos. His expression appears to show disbelief at his own actions, yet because of his actions, he now has the Soul Stone.

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Cap and the rest of the Avengers head over to Wakanda to meet up with Black Panther and mount a defense against the Black Order. We see Cap reunite with Bucky, some of our favorite Black Panthers like Okoye and M’Baku, and Bruce Banner get outsmarted by Shuri. The battle of Wakanda begins and the Avengers fight off against an army of faceless, nameless alien beasts. My main gripe about this battle is the lack of build-up to it. It doesn’t feel like something from Lord of the Rings or Star Wars because it just kind of happens all of a sudden without fully establishing both sides. The Black Order kind of just shows up with an army of disposable creatures to fight the Avengers, it doesn’t feel as weighty as what is going on elsewhere. At the other end of the solar system, the rest of the Guardians excluding Groot and Rocket meet up with Iron Man’s group and come up with a plan to take out Thanos. Dr. Strange runs through millions of possibilities and determines that there is only one in which they can win. Thanos arrives and relays his strategy of dealing with overpopulation through random genocide. Again I’ll get more into that at the end. He engages Iron Man’s group and is surprisingly overpowered for a brief period of time, allowing Spider-Man and Iron Man to try and pry the Infinity Gauntlet off of him. This is where the controversial moment happens when Starlord, angered after discovering Gamora’s death, aggressively attacks Thanos in the middle of his incapacitation at the hands of Mantis, causing Thanos to regain control and keep the Gauntlet. I have to say, the entire time Starlord felt somewhat inconsistent with his character. He was either too humorous or too aggressive. I get it, he’s displayed these characteristics in the past, and his girlfriend was kidnapped and later killed. Nevertheless, I feel like it discredits him as a character since he definitely has been more level-headed than this. It definitely could have been better handled, and I feel like Starlord would have been able to bounce back from these events and respond to that situation much better than he did. I know technically this is the way things are supposed to happen because Dr. Strange predicted the timeline but does it really excuse Star Lord from being an overly confrontational douche? His actions lead to Thanos dispatching the rest of the team before only Iron Man is left to battle Thanos. The fight between them is another great moment and it ends with Tony at Thanos’s mercy. Thanos gives his respect to Stark but spares his life when Dr. Strange offers up the Time Stone.

On Wakanda, Caps forces are being overwhelmed by the generic alien monsters, so it’s a great time for Thor to show up with his epic new hammer. Again, the Avengers theme is awesome, and Thor arriving and absolutely obliterating the enemies to Silvestri’s score is my favorite moment in the movie. It also shows that Thor really is one of the most powerful characters in the MCU. It’s especially true since Hulk has been refusing to come out all this time in a neat character moment since it’s the first time we’ve seen Hulk afraid. The battle ends with the Avengers victorious, but unluckily for them, Thanos arrives with one stone left to obtain. In a slow-motion moment, we see Thanos easily overpower the other Avengers while Vision appeals to Scarlett Witch to destroy the stone. This moment didn’t hit as much for me since as I’ve said before, I didn’t really get to see the relationship between these two characters develop so I wasn’t as emotionally invested in Vision’s destruction at the hands of Scarlett Witch. It matters even less when Thanos rewinds time to reconstruct Vision and take the stone. With the Infinity Gauntlet complete, Thanos snaps his fingers and wipes out half the life in the Universe. Having read the Infinity Gauntlet story before seeing the movie, I was giddy with excitement when he snapped his fingers. We first see Bucky fade away in front of Cap. At this point, I was surprised, but once Black Panther faded away, I knew this wasn’t permanent. The other characters to fade include Falcon, Scarlett Witch, Starlord, Mantis, Drax, Spider-Man, Dr. Strange, and several Wakandan soldiers. Spider-Man’s farewell does pull at the heartstrings, and it is a shocking moment to see some fan-favorites fade away, but I was more intrigued than disheartened. I’m interested to see how these characters return, and what happens to Thanos in the sequel. I’m also looking forward to Tony’s decisions moving forward, as the deaths of everyone around him will surely leave him devastated. I did love the way the film ended, with Thanos looking over a beautiful landscape with a half-smile half-smirk on his face. We also get treated to an end credit scene of Nick Fury contacting Captain Marvel before fading away.

So I’ve said it multiple times and I’ll say it again, Avengers: Infinity War delivers. It feels like the Empire Strikes back of the MCU, and the MCU feels like the Star Wars of this generation, even more than the actual Star Wars of this generation. Whereas the Star Wars movies today are repeating the same stories over again, the Marvel universe is managing to keep me excited for new stories. The Marvel comics are rich in creativity and storytelling, and the heads at Marvel are masterfully drawing from and adapting the cavalcade of source materials. The Russo Brothers dedicated time to crafting Thanos’s motivations and ideology. From a grand scheme, universal utilitarian view of how the universe should work, there are elements of Thanos’s ideology that make sense. Overpopulation is a thing, and lots of people suffer from the tragedy of the commons. It’s an identifiable perspective for a villain, but like Killmonger, Thanos takes it too far and his willingness to stomp out life makes him more of a monster than a savior. The film doesn’t qualify Thanos’s perspective, there is a clear line. When Thanos completes his quest, he says to a vision of a young Gamora that the crusade cost him “everything”. Thanos’s tears for Gamora are an outlier to his emotional detachment from killing the rest of the Universe. He fails to understand the sanctity of life. The decisions that our heroes make, including Scarlett Witch and Starlord’s decisions to try and kill their respective partners at their requests, were made out of love. Thanos’s love for Gamora wasn’t enough to sway him from his beliefs of what he thinks is the right thing. However, as Captain America said, “we don’t trade lives”. No matter the suffering, what makes life special is that everything has the opportunity grow, to become something important, something vital. If we go along with Thanos’s plan and wiped out half the life in the Universe randomly, what if the next Albert Einstein, Gandhi, or Martin Luther King Jr. was killed? What if people who were or will make major contributions to existence are wiped out? The Avengers understand this idea of all life being sacred. It is possible that Thanos may too. Perhaps in the next movie, Thanos will ponder on his decision, and realize that the value of life is far too important. He may come to miss Gamora, understand that the cost of his vision of peace would be too dear, regret his decision, and try and turn back time. I’m just speculating at this point, but the fact that the film has provided me the opportunity to speculate is a triumph of its own.

There’s lots of setup for the next film, so I see this as a part one of a two-parter. I’m glad that Marvel left us in this moment of despair and anguish, because obviously, in these kinds of stories, good triumphs over evil, but being able to have that darkness, let us sit and dwell in it for a little bit, consider its implications, and think it might actually be there to stay, only then for the good guys to triumph is how these kinds of stories should be told. Much like Lord of the Rings, Avatar: The Last Airbender, or Halo, everything seems hopeless at a certain point. We wonder how possibly the overwhelming odds can tip in the good guys’ favor and when they do, we feel relief and satisfaction.

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In conclusion, I did in fact love this movie. It’s in my top five favorite Marvel movies and definitely one of the coolest superhero movies ever made. I don’t think it transcends the genre like The Dark Knight or Logan, but it does represent the best that the genre has to offer. It isn’t perfect. There are so many different arcs and no moments where all the characters come together. Characters like Black Panther, Black Widow, Falcon, and Captain America are underutilized. Still, the film is wildly entertaining, pushes the MCU in an even more promising direction, and finally gives the MCU the stakes it needs. I’m very excited for Avengers 4 and I can’t wait to see what the MCU does next.

 

 

Avengers: Infinity War Review

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Avengers: Infinity War, directed by Joe and Anthony Russo, is the latest installment in the Marvel Cinematic Universe. Before I go into the review, I’d like to give a little background.

In the comic book industry, there is something called a “comic book crossover event”. This began in 1984 with Marvel Comics’ Secret Wars which featured an assortment of characters from the Marvel Universe coming together for 12 issues. After this, DC responded with its own major crossover, Crisis on Infinite Earths, which also spanned several issues and significantly affected the continuity of the DC Universe. Since the 1980’s, there have been countless event comics from “Infinite Crisis” to “Civil War” to “Infinity War”. And although 2012’s The Avengers was a significant landmark in the comic book to film medium, Avengers: Infinity War is the first time that a major comic book crossover event is being adapted for the big screen. Now I’m much more of a DC fan when it comes to the comics (I can tell you about literally every major story event in the DC Universe going all the way back to its inception in 1939), but I did manage to read the 1991 Infinity Gauntlet story by Jim Starlin which is what this movie is based off of. For me, the opportunity to experience a massive event like Infinity War on the big screen is something I never could have imagined as a child. That being said, I went into this film with tempered expectations. There has been an unreal amount of hype leading up to the release of the movie, and the fact remained that there was a lot that was being promised or at least expected.

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Avengers: Infinity War took inspiration from The Infinity Gauntlet, written by Jim Starlin and illustrated by George Pérez and Ron Lim

Well, I can certainly say that Avengers: Infinity War delivered on its expectations. The Russo Brothers were able to give the fans what they had promised, a big event where the entire Marvel Cinematic Universe fights off an overwhelming threat. If you are expecting an entertaining action film with some big moments, this is the movie for you. It is quintessential blockbuster popcorn fanfare with a little something more for those who are big fans or want to dig deeper into the story’s implications. It’s also a film that takes itself more seriously but still has a nice blend of humor. At times, the humor can be weird and overstay its welcome, but it largely didn’t detract from the drama.

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Thanos, played by Josh Brolin, is the centerpiece of the film.

The important thing to know is that this is not a story where the Avengers are the main characters. Thanos is actually the main character of this tale, and he means business. It seems like the Russo Brothers really took a delicate approach to how they wanted to represent Thanos. He is a nuanced and emotional character, with a lot of screen time, and a unique motivation. It’s admirable that this character with no prior development that has been hyped for 13 films was developed so well. His relationships with other characters within the MCU also felt well-established.  Josh Brolin did an excellent job with the motion work and managed to capture the myriad of emotions Thanos exhibits. a villain for the film, Thanos fits the part and does it strides. He truly feels like the big threat to the Avengers that the studio was hyping up, and it represents the comic book storyline well since it seemed nearly impossible for the Avengers to even stand a chance against him. The fact that his actions in the movie act out a crusade rather than a conquest, and the fact that you really understand where he is coming from, makes Thanos a good villain. He is not the emotional roller coaster that is Killmonger or the malice that is The Joker, but he serves his purpose within the story.

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The action is also excellent. There are a lot of great fight scenes and epic struggles with some great “wow” moments. One thing I didn’t expect was the number of twists, thrills, and shocks in the movie. It’s all a lot to take in, and the end result is a heavier, more genuine film than most of the recent quirky comedy style MCU films like Spider-Man: Homecoming and Thor: Ragnorak. Speaking of Thor, he can be considered almost a secondary main character within the narrative. He gets the second most development and screen time after Thanos. The approach to Thor does take a step back from the tone of Ragnorak and opts for a more grounded view of his character. He still makes a few jokes here in there in the typical Thor way, however, there is a bigger focus on how much he has lost. It’s reminded how much of a tragic character he really is and also how powerful he really is. Due to the serious approach, there are moments in the film that come across as very dark, and even haunting at times. There is this sense of finality like everything has been culminating towards the confrontation with Thanos. 18 years of build-up has all lead to this.

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Infinity War features a large cast of classic Marvel Comics characters.

Considering the fact that there has been so much development and new additions to the Avengers ensemble after 18 movies, there are a lot of characters to balance. For the most part, the characters work off of each other very well, especially many of the new combinations of characters who had previously never interacted with each other. The styles and aesthetics of the other films in the franchise were also well-incorporated within the movie. When the Guardians of the Galaxy showed up, classic rock began playing and bright streaks of colors filled the screen. When Wakanda was featured, the drums started kicking in and the Black Panther theme came on. As good of a job as the film does in balancing the characters, some of the characters are underdeveloped or underused, and some are even inconsistent with how they were in previous films. I can’t really get into who these characters were until my spoiler review which I’ll post later. The main drawback to the overall experience is that there’s so much going on that at times it can feel very disconnected and the stories start feeling separate. A group of characters will be off doing one thing while another group of characters will be doing something somewhere else. There are multiple storylines going on at the same time and featuring different characters, and the story jumps around from place to place and at different times which can be quite discombobulating. We may spend a lot of time in one particular point with one group of characters before jumping back to a different group of characters at a different point. In some of these jumps, I would completely forget the previous arc and would have to reorient myself towards the current point. It’s understandably hard to juggle all of these characters, and the Russo Brothers did a good job, however, the jumping around from vignette to vignette made the experience less absorbing and harder to get engrossed in.

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Overall, Avengers: Infinity War is a solid addition to the Marvel Cinematic Universe. It delivers on its promises, offers exciting and novel action sequences, and presents an awe-inspiring and multifaceted villain the likes of which the comic book movie genre hasn’t seen before. As a major DC fan, I can’t help but feel a little jealousy that the DC universe hasn’t been able to replicate this level of universe-building and massive scale. Infinity War felt exactly like the event comics I loved reading with the way everything came together and how many characters appeared on-screen. It’s a wonderfully constructed adaptation of the Marvel Universe depicted in the comic books and is put together fairly well especially considering the sheer magnitude of the film in terms of characters, themes, and the overall universe.

Yet, I can’t help but feel there is something more that could have been. I enjoyed the film, but I can’t put it up there with some of the most epic sagas of all time like Star Wars, Halo, or Lord of the Rings. What I think is missing is consistency of tone in regards to this film and the rest of the universe. This is an issue more with the direction the entire MCU has taken. The fact that so much had to be done in this film to establish a new tone, new villain, new characters, and create an epic spectacle indicates that the previous films before it weren’t successful in establishing the right tone and emotional stakes. The Marvel formula has always been fun, comedic, and low stakes for the most part. Infinity War is epic, but there’s a disconnect. The overly comedic tone of the franchise so far has hurt the movie. The emotions not running as high for these characters in their respective films is what might have caused the emotional disconnect in this film. This would have been truly legendary if the previous films were different and had established this more serious tone. The films could have been darker and had more stakes to begin with, set up Thanos and the Black Order much earlier, and hyped up more of the Infinity War itself. If Marvel had done all of these things much earlier and set up elements of Infinity War in other films, it would have been unbelievable to witness. However, I think the Russo Brothers still did an excellent job, and quite possibly the best they could have done given the situation they were in.

4/5 Stars

Arpeggios and TV Themes: Repetition in Music

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I could make up a clever anecdote about how something interesting sparked my thought process and motivated me to write about this but that just wouldn’t be the truth. I was walking around my college campus earlier when a random thought just popped up in my head: TV show themes copy each other. The Flash TV show theme sounds a lot like The Walking Dead theme, and also a lot like a track I’ve heard from Game of Thrones, and Stranger Things. As a vocal critic/commentator of derivation in pop culture, I spent the extra time I had today listening to and analyzing the structure of the TV melodies that all sounded eerily similar to each other. I’m sure there are movie soundtracks that follow the same pattern I’m about to show you, but since this is such a recurring thing in TV, I thought it would be more interesting to focus on. To make it easier to analyze, I’m transposing all of the arpeggios into the key of C.

The music I found was from The Flash, The Walking Dead, Game of Thrones, Stranger Things, and Westworld. Now, when I say similar, I don’t mean identical (actually two of these are identical). They simply have the same rhythmic and melodic patterns.

To start with, here is The Flash theme:

THE FLASH

The Flash TV theme

Now here is the Walking Dead theme:

THE WALKING DEAD

The Walking Dead TV Theme

Sound pretty similar? If you look at the notation, you can see the similar sixteenth note structure. The Flash plays an arpeggiated version of a C natural minor scale, also known as Aeolian mode. Here it is below:

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An Aeolian takes the seven notes of a major scale and flats the 3rd, 6th, and 7th, so it ends up looking like 1, 2, b3, 4, 5, b6, b7.

The Flash theme plays the 1st, 3rd, 5th, and 6th of the scale then back down. So it plays the C, Eb, G, and Ab.

The Walking Dead theme is in a harmonic minor scale, it’s the same thing as a natural minor except it turns the seventh note of the scale back to a natural instead of a flat. So it becomes: 1, 2, b3, 4, 5, b6, 7.

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The Walking Dead theme plays the 1st, 5th, then goes up an octave to play the 2nd and 3rd of the scale. So it plays the C, G, D, Eb, then back down.

Aside from the fact that the rhythm is exactly the same with the three sets of sixteenth notes, both of these themes start and end on the same note and feature a half step movement from 5th to 6th in the flash and from 2nd to b3rd in The Walking Dead.

Next, I want to take a look at “Here Me Roar” from Game of Thrones.

HERE ME ROAR (GAME OF THRONES)

The Flash TV theme

Now for references, here is the sheet music for The Flash theme:

THE FLASH

The Flash TV themeYup, they are exactly the same, note for note, beat for beat. Obviously they vary as each piece plays on but the core idea and the central theme of each piece is identical.

Another TV theme that’s still kind of similar but not as much as the other three above is the Westworld theme. The theme itself is composed by Raman Djawadi, the same composer for Game of Thrones so all of the similarities between the two themes could be a study on its own. Going back to the main ideas though, the Westworld theme also features a few elements that resemble the other TV themes.

WESTWORLD

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It includes nearly the same successive sixteenth note rhythm, however if you notice the lack of a double line on the last note means the arpeggio ends with an eighth note rather than a sixteenth note. Aside from the rhythm, the theme plays an arpeggio of the harmonic minor scale much like The Walking Dead. In the case of Westworld, it plays the 1st, 3rd, 5th, 7th, and 8th of the scale. So, it’s not entirely like the other themes, but it is a lot like the next theme below.

 

The Stranger Things theme is the least similar out of all the themes I’ve mentioned because of one simple fact, it’s in major.

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The Stranger Things theme plays the 1st, 3rd, 5th, 7th, and 8th exactly like the Westworld theme only instead of being in harmonic minor it is a C major scale. The flat 3rd is the only note that changes to make the arpeggio major. Just look at the notation and notice the missing b symbol.

STRANGER THINGS

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My Post (1)

I guess what I’m trying to say is not that these TV show themes copy each other blatantly, but rather that music in itself is a medium based in repetition. Art is created from inspiration and imitation. Repetition is the key to understanding what makes something truly beautiful. The arpeggios that are used in these themes exemplify the effectiveness of music, and how memorable and powerful pieces can be created by simply rearranging a few notes in a scale. In the rapidly developing medium of television and film, music that matches the intensity of what you see on screen is essential. So, sometimes the music will be similar and have the same notes and chords, but its nothing that hasn’t been happening since the birth of music. The arpeggio motiff in telivision has become a memorable repetition that joins the likes of the minor 2nd and 2-5-1 as elements of music that can be used to bring significance to a piece. These TV themes do sound the same and thats ok, however, I still see it as an interesting thing to point out. It reminds me that music is a complex and ancient art form where patterns of beauty can be found much like a golden ratio or a tesselation.

Justice League Review

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This is going to be a personal, informal review for a very personal topic. I have not been a fan of the DC Extended Universe movies. Don’t get me wrong, I’m a massive fan of DC Comics. Batman is my favorite superhero; Superman is a close second. I grew up watching the Justice League cartoon and Batman: The Animated Series. Not to mention, I’ve read basically everything when it comes to comic books featuring the Justice League. I’ve been reading everything from the Golden Age Comics, to the Grant Morrison Era, to the New 52. I’ve read Death of Superman, All-Star Superman, Golden Age Superman, Birthright, For All Seasons. I’ve read Golden Age Batman, The Dark Knight Returns, Death in the Family, Knightfall, No Man’s Land, Court of Owls, and a bunch of other comics that nobody’s ever heard of. I dedicated most of my early teen years scrubbing through the comic book histories of each character of the Justice League. DC comics were vital to my defining years, and I attribute them to defining much of my moral center. They taught me the importance of virtue and compassion, they were everything to me. Then the movies came.

I was actually very excited for Man of Steel. I was right in the middle of binge-watching all ten seasons of Smallville leading up to its release. At the time when I watched Man of Steel, I loved it but now after reflection and further viewings, it’s not bad but not great. Then Batman V. Superman: Dawn of Justice came and well…I hated it. It featured a mopey underutilized Superman, a psychotic murderous Batman, and an inconsistent and uneven plot. It was an overall mess of a movie. Then Suicide Squad was right around the corner, so that had to be good right? It was even worse. In my opinion Suicide Squad is garbage. I can understand if others enjoy it for its entertaining moments but for me, it’s a disaster. Then Wonder Women followed a little while later, and it got rave reviews from the whole world so I was hyped. It was decent, but in my opinion, it wasn’t as good as everyone claimed. I enjoyed the movie but I wouldn’t consider it to be in the upper echelon of top 10 superhero movies. So finally, the moment everyone was waiting for…Justice League was coming, and I wasn’t all that hyped. I had been fooled too many times to get excited, and even though Wonder Woman was good, I couldn’t trust the trailers or the fact that Zack Snyder had picked up right where he left off from Batman V. Superman. I didn’t see Justice League when it opened, and when I heard about its lackluster box office I thought “Good, their failures finally caught up with them”. It wasn’t until today that I actually decided to sit down and check out the movie.

Jusyice League

After finally watching Justice League, which I viewed with low expectations, I can say this: Justice League has awful CGI, some really bad dialogue, bad editing, its characters don’t feel established in their world, the humor doesn’t always work, the story is derivative, and…… it’s actually not that bad of a movie. Yeah, I actually really liked Justice League.  It was wildly entertaining and for the first time, I recognized some of the DC universe that I grew up with.

Since I went into this film with a negative view (being honest, I wasn’t objective), I started finding faults early. The dialogue was sooooooo bad. None of the jokes were funny early on, and there was a constant usage of generic superhero catchphrases and dialogue (“together we can save the world” “I’m putting together a team”). I’m not actually quoting dialogue from the movie, I’m just giving my representation of what it was. The special effects were literally horrendous. When the villain Steppenwolf first appears, a CGI fight scene happens that looks about as real as a 17th-century stage play. Steppenwolf himself looks ridiculously fake, and I’ve seen World of Warcraft cutscenes from 2013 that had better effects than the fight scene. The only recognizable superhero characters from previous films are Batman and Wonder Woman, and they feel disconnected in their effect on the outside world. The majority of the superheroes are introduced for the first time in this film, meaning without many characters to latch on to, the world doesn’t feel identifiable or established. The story is straightforward and borrows a few elements here and there from The Avengers and The Lord of the Rings.

Justice League DC

The turning point for me was when all of the characters came together. First off, I want to say that Cyborg, played by Ray Fisher, is awesome. He has this great intensity, and whatever origin he should have been given is summed up by his penetrating stare that indicates he suffered an unwanted accident that made him the way he is. Ezra Miller is also surprisingly relatable as The Flash. There is a standout scene early in the film where he is reluctant to fight, admitting that he’s never done battle before and in the moment is scared. Gal Gadot, in my opinion, is better in Justice League than she was in her own feature film (in which I thought she was serviceable but not remarkable). As Wonder Woman, she conveys a certain strength that holds the group together. I also finally got behind Ben Affleck as Batman. His murderous escapades in Batman V. Superman really deterred me from seeing what I see now, which is a great Batman. Batman and Wonder Woman play off of each other really well and serve as motivators for the rest of the group. The chemistry between the entire cast is a total success. Jason Momoa as Aquaman, though he is the least developed character in the league, has some of the best moments.

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Gal Gadot as Wonder Woman

Now, minor spoiler warning, I’m going to talk about Superman. I hesitate to call this a spoiler though, since, unless you’ve never heard of the Justice League or have been living in a cave, you’ll know that Superman is bound to show up. When he does, it’s great, but he’s not in the movie all too much. Poor Henry Cavill always gets the short end of the stick as Superman. In Justice League, he yet again gets pushed aside when he should have had a much bigger role.  There’s also been some controversy about Cavill’s CGI face since his real-life mustache had to be digitally removed. Honestly, it’s one of the least relevant criticisms I’ve heard and it’s really not that bad. I’m surprised that critics had a hard time getting over Superman’s fake upper lip more than they did getting over half of the other ridiculously bad CGI (I’m looking at you Steppenwolf). The upper lip was a little wonky at times but it was something I could easily get over.

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Ciarán Hinds as the villain Steppenwolf

The height of the film, as most people would expect, was the climax, and it was glorious. The action throughout the film but particularly in the climactic battle was fantastic. It’s everything you would want to see in a blockbuster superhero movie. The league functions as a unit, strategically approaching Steppenwolf and talking down his Parademons. The only real issue with the end is Steppenwolf himself, who is simply a weak villain. He isn’t terrible, but he doesn’t offer anything other than the usual bad guy dialogue and agenda. It’s a shame that he was chosen as the villain instead of Darkseid. He did the exact same things that Darkseid would have been doing, so why didn’t they just have Darkseid instead? The final battle could have also been on a larger scale and could have shown a larger impact on the global population.

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Darkseid, ruler of the planet Apokolips

The ending of the film was actually kind of touching, having finally set up the potential for a larger DC universe. The film itself does feel like a righting of the ship. Keep in mind, I went in with an already negative perspective and was instead won over by the movie. The team works well together, and there’s even a decent end message about returning to the world and taking initiative. None of the characters fell flat, and despite there not being a lot of humor that works, the scenes in which it does is a nice touch. Though some of the early dialogue is bad, it greatly improves as the film progress until the dialogue is great in the end. There are some cool Easter eggs and it might just feature the two best end credits scenes ever. It makes me kind of sad that we may not see a continuation of this universe due to its low box office. I wouldn’t have minded if the DC movie universe kept going from Justice League. I finally saw flashes of the DC that I loved and wanted. It does feel like The Avengers in some sense, which can’t be avoided because, in the end, it’s a fun and generic blockbuster action film. Justice League gave me the DC feeling that Batman V. Superman, Suicide Squad, and even Wonder Woman couldn’t give. Wonder Woman is still a better overall film, but Justice League, in my opinion, is more entertaining, and my personal favorite DCEU film.

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The first comic book appearance of the Justice League in The Brave and the Bold Issue No. 28